Scott Kurtz offers “PVPOnline” to newspapers for free and starts a firestorm in the process.

Posted by Les on Tuesday, August 10, 2004 at 12:30 PM. Read 5175 times. Tags:
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This is something I’ve been following for awhile now before commenting on and if nothing else it’s been a fascinating lesson in human nature and resistance to change. Scott Kurtz is the creator/owner/publisher of a webcomic called PvPOnline.com that has a huge following, of which I am a member, that he’s managed to turn into a full-time job despite the fact that it appears daily on the web for free. He’s done this mainly through sales of merchandise and then eventually publishing comic books with original stories in them—first through Dorkstorm Press and then later through Image Comics. Scott was at the recent San Diego Comic Con and he participated on a panel discussion about the future of the comic strip where he made his announcement that has riled up a number of traditional syndicated cartoonists:

This last year, I was contacted by Universal Press Syndicates about PvP. They know the strip and were very interested in syndicating it as a feature. I would love to see PvP in newspapers and we started talks. I let them know that there were six years of archives available and that I could edit the strips to conform to family paper editorial standards. The only thing I could not do was give up my ownership and rights to my creation.

Under no circumstances would I relinquish my copyright, book deals, merchandise deals, rights to market my strips, etc. If they wanted PvP, we would agree to a newspaper distribution deal and that was it. After six weeks the syndicates returned with their answer: They wanted PvP...all of it. If they could not have the rights to the feature, they weren’t interested. So we parted ways.

But I’ve already become attached to the idea of seeing PvP in the papers, and that’s why I’ve decided to start a new program. In the coming months, I’ll be putting into effect, a program in which papers can receive PVP for free. That’s right, free. They don’t have to pay me a cent for it. I will provide for the papers, a comic strip with a larger established audience then any new syndicated feature, a years worth of strips in advance, and I won’t charge them a cent for it.

That’s right, he’s offering PVP to any newspaper that wants to carry it for free. To an outsider like myself this is a brilliant move and a win-win situation for Scott and the newspapers. PVP already has a large readership and is popular with a demographic that many television networks, let alone newspapers, would kill to get a piece of and appearing in a daily newspaper would likely only increase its popularity which could lead to more merchandising deals and thus greater profits for Scott even if he doesn’t charge the papers anything for the strip. The papers get a popular strip at no cost with an already plentiful amount of material to make use of. So what was the reaction when word of this got out to the syndicated cartoonists? Well if this thread over at ToonTalk.org is any indication then to say a lot of them were less than enthusiastic would be a major understatement. Several folks said it would be impossible—free or not—for Scott to get into any papers without a syndicate. Wiley Miller who does Non Sequitur accused Scott of not doing his research as well as being ignorant of how newspaper editors work and predicted that Scott’s “in for a rude awakening.” Veteran cartoonist and author of the book The Complete Idiot’s Guide to Cartooning Arnold Wagner opined that he’s seen folks try this sort of thing before and it didn’t work then, probably won’t work now. Illustrator Bob Burnett questioned how one makes money when you’re giving your work away—something Scott is already doing—and suggested it was tantamount to “essentially throwing the profession under the bus.” Newly syndicated “Karen” (no information on who she is or what strip she produces was to be found) complained that Scott’s plan might be good for him, but bad for other cartoonists such as herself as she is not a go-getter and doesn’t have the “time OR the temperment to self-syndicate.” She continued to be baffled on why Scott would give away his comic as opposed to asking at least some money for it even if he self-syndicates concluding with “Where is the logic in this? It’s… why it’s CRAZY talk.” Things got progressively nasty from there. “Dawn156” stopped by PVP and opted to shift tactics from criticizing Scott’s idea to criticizing the strip that day saying, “In just a fast casual reading of today’s gag, I found one misspelling, one “typo,” and one comma error. You couldn’t PAY an editor to run this gag.” What she didn’t realize is that the strip that day was a guest strip by another cartoonist and not Scott’s work (Scott often invites other cartoonists to submit strips while he’s off at a convention). Probably the worst critic though is someone by the name of “Malky” (who also doesn’t provide a real name or what strip he draws, though he claims he’s not syndicated) as he’s dropped all pretense of discussion in favor of dictating to others the nature of reality while demonstrating an amazing ignorance of it.

Which isn’t to say that Scott doesn’t have his supporters, but the vehemence with which some of the opposition has responded in that thread is pretty astounding. Despite what many of them claim it’s pretty clear they’re worried about Scott’s venture undermining the status quo or, at a minimum, damaging the value of their own properties in the process of failing spectacularly. The number of people repeatedly asking Scott to consider charging at least some money for his strip makes this pretty obvious. Malky’s comments would be comical in their short-sightedness if it weren’t for the venom they also tend to contain. Comments like: “Yes, perhaps that’s what cartooning, like America generally, should be looking at. The Brazilian model. Where the nuts come from.” This is particularly amusing considering that not one reply earlier he was complaining about the quality of the debate by saying, “DJ, you sound like a sixth grade tattle taler. Glad you’re having a good time. Nobody’s deliberately twisting words, and your childish glee at what you imagine to be other peoples discomfort cheapens this debate.” I suppose he would know best based on his own comments. As a lesson in hubris, Malky is hard to beat.

Now I don’t claim to know jack shit about syndicated comics, what it takes to become syndicated, or why they’re supposedly the best model anyone can come up with. Nor do I claim to know that Scott’s vision is correct or that he’ll be successful with his undertaking. What I do know is that Scott has managed to be successful enough to make a living doing things his way on the Net despite the great “dotcom crash” and all the people who claimed it wasn’t possible. Part of that was hard work on his part and part of that was probably him not knowing what he was getting into and being too stubborn to pay attention to the naysayers. He had his stumbles along the way, but he’s still there and has managed to branch out into comic books in the process which also seem to be doing well. If anyone has a better chance of doing what he hopes to do I’d be hard pressed to name them. While I have no idea if he’ll succeed, I wouldn’t bet against him.

Comments:

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Andy Bates United States Posted on 12/15/2004 at 05:10 PM

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Okay, I’ll jump in here and make a comment or two while Les is pondering his next missive:

Johnny: I really think you are missing the main point that Les is trying to make. He is not claiming that Scott will necessarily succeed or fail; he is saying that Scott should have the opportunity to try his plan, without a bunch of entrenched cartoonists yelling at him about how it won’t work. Maybe it will, and maybe it won’t. He should be able to try it and see.

You state that a web-based model is different from a newspaper model. Again, so what? Logically, it should be impossible to profit from something that you give away for free, and yet somehow Scott has managed to do so. Therefore, Les is willing to give him the benefit of the doubt, and admit that his newspaper plan might just work. Yet to you, this is a statement of unequivocal support for Scott’s plan. I frankly don’t see how you follow this logic.

“Mommies apron.� Wow, you seem to have trouble making an argument without resorting to personal attacks.

You do seem to contradict yourself with regard to devaluing your work. One paragraph you say that, as an editorial cartoonist, Scott isn’t going to devalue your work…and then in another paragraph, you state that his plan devalues the work of all cartoonists. So either an editorial cartoonist is not a real cartoonist, or you have contradicted yourself.

As for people working for no pay, that’s part of capitalism. Deal with it.

To me, the most ludicrous part of this whole thing is that the system is obviously flawed, as Bill Watterson has so famously pointed out. With the syndication system in place, comic creators are forced to either work within the system and lose the rights to their work, or not have their work available in newspapers whatsoever, which in the past has been the only way that they could build an audience. So basically, the choices are: make a little money and give up your creation; or make no money. Not much of a choice.

Yet those people who are locked into the system are afraid that if someone else tries a different business model, somehow their small success at the hands of syndicators will be at risk. Don’t you see the obvious flaw in this position? If you don’t try something new and show others that there are more options, then every new cartoonist will be forced to work within the syndication system, and eventually having the soul sucked out of their creation through merchandising and syndication ownership…and that’s the best case scenario.

Watterson has gone on and on about how the system favors the syndicators, at the expense of the comic creators. And yet you are afraid of anything that will upset this system. That simply makes no sense to me. You talk about how giving something away for free hurts others within the industry, when that is obviously not true, as shown by numerous other people in numerous other markets. In short, your points seem to be contradictory at best, or baseless in shortsighted at worst.

Mysterious Johnny Australia Posted on 12/15/2004 at 09:33 PM

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(Les) is not claiming that Scott will necessarily succeed or fail; he is saying that Scott should have the opportunity to try his plan, without a bunch of entrenched cartoonists yelling at him about how it won’t work. Maybe it will, and maybe it won’t. He should be able to try it and see.

As I’ve already said I don’t believe Scott is likely to vary his attitudes because of any arguments put forward on the basis of helping cartooning per se. He’s his own justification and as people are fond of saying, what’s anyone ever done for him to merit his concern?

The argument that he should be left alone to offer his work for free to newspapers is premised on a few faulty assumptions. One is that Scott was approached by Universal and after considering their offer, rejected it because they wanted rights to his ancillary income. This is certainly the impression that he chose to impart. The truth is quite the opposite, as indicated by the letter posted above.

It’s an important distinction because it feeds into the second faulty assumption. That the syndicates are desperate, losing ground fast and looking hungrily at the success of young turks like Scott to shore up their fast dwindling market-share.

The syndicates are big business. A business which makes money from cartoons. As soon as there’s a sure fire way of making money from cartoons (aside from the on-line advertising model - which works to an extent) like a micro-payment which the average web user is happy to make then you can be sure the syndicates will swoop in. Scott may even find himself the one selling the buggy whips.

Les is willing to give him the benefit of the doubt, and admit that his newspaper plan might just work. Yet to you, this is a statement of unequivocal support for Scott’s plan. I frankly don’t see how you follow this logic.

Les called the plan brilliant and then said he had no opinion as to whether it would work or not. Either he thinks it’s a good idea or he doesn’t.

“Mommies apron.� Wow, you seem to have trouble making an argument without resorting to personal attacks.

A cheap shot I’ll admit, but I was getting tired of being accused of being overly sensitive whilst refraining from doing the same as was being done to me. I’ve said a few times on here that name calling is a sign of a weak argument and I’m not suggesting I’m an exception to that rule.

One paragraph you say that, as an editorial cartoonist, Scott isn’t going to devalue your work…and then in another paragraph, you state that his plan devalues the work of all cartoonists.

Imagine a factory. It makes wheelbarrows. One day the wheel makers are told that their pay is to be halved. The barrel makers pay is not. However the whole workforce goes on strike. It’s called solidarity.

I mentioned my own work because of the assumptions being made as to what I did for a living. It’s normally a mistake and it was in this circumstance. Personal details get in the way of reasoned debate. Does your argument rest on what you do for a living?

As for people working for no pay, that’s part of capitalism. Deal with it.

Scott’s not working for no pay. He’s charging for advertising and hats by using his cartooning as a billboard/bullhorn to attract buyers. Working for no pay is slavery.

So basically, the choices are: make a little money and give up your creation; or make no money. Not much of a choice.

No, that’s how Scott has depicted the choices because he wasn’t able to get the syndicate to either take on his strip or agree to forego rights to his ancillary income. The plain truth is that a syndication contract is just a contract. It’s not written in stone in one place for all time. If Universal really wanted PVP then they would negotiated as they have done with many others. Giving over copyright is not a foregone conclusion but the syndicates do employ teams of people to extract income from cartooning. For doing this they require a portion of the income it generates. In many cases people will agree to this bargain. Who owns Calvin & Hobbes but Bill Waterson? His criticisms were also aimed at cartoonists for allowing their product to become stale. Syndication can encourage this by seeking products which are easy to market and offend or challenge nobody.

Scott’s offer to Universal was to “edit the strips to conform to family paper editorial standards”. He’s not the bastion for fearless expression in the face of Beetle Bailey. He’s indicated he’ll edit his strip to meet their whims. Garfield’s creator had a similar attitude when he started out.

The point of all this is not to keep everyone locked into the syndicates ideal world scenario. But let’s be clear on the bullshit. Scott’s not being courted by syndicates. Offering his work for nothing to papers just makes it looks like it’s worth nothing to begin with. Talented cartoonists with the ability to appeal to a wide audience will always, eventually rise to the top. Scott’s attempt to circumvent the rejection he received is being hailed by frustrated web-cartoonists because they’ve faced similar rejections themselves. So has every cartoonist. Rejection is a integral part of making an income from creative endeavors. How you deal with it is a sign of your ultimate ability to succeed.

elwedriddsche United States Posted on 12/15/2004 at 10:32 PM

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To make a long story short, there seems to be an established business model where syndicates make big money off cartoonists, a select few of which get a far better deal than the rest of the bunch and their relative marketability gives the individual cartoonist more clout to (re?)negotiate contracts. So far, nothing new.

Along comes a cartoonist that for whatever reasons has issues with this business model and tries something different, be it ill-considered or ultimately self-defeating or whatever. Still nothing new.

The only vaguely interesting question is whether or not his alternative way of doing things represents a feasible and sustainable business model that has the potential to disrupt the status quo or force the cartoonist powers that be to adopt an embrace-and-extend strategy.

Knowing nothing about the cartoon business other than the amount of verbiage expended about Kurtz, it would appear that indeed whatever he’s doing is at least perceived as potentially disrupting, for better or worse or something.

So?

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Andy Bates United States Posted on 12/16/2004 at 02:02 AM

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Okay Johnny, I’ll try to keep my response as short as possible, but you made many points, and I want to respond thoroughly.

The argument that he should be left alone to offer his work for free to newspapers is premised on a few faulty assumptions.

Jumping ahead, I don’t think either of those assumptions you list below are requirements for the argument. The best argument is that a free market dictates that anyone can ask any price they want for a product or service, even nothing. The newspapers are free to accept or reject his offer.

One is that Scott was approached by Universal and after considering their offer, rejected it because they wanted rights to his ancillary income. This is certainly the impression that he chose to impart. The truth is quite the opposite, as indicated by the letter posted above.

I don’t agree with your interpretation of the letter. As I read it, Scott wanted to retain all rights to his comic and characters, and the syndicate wanted those rights. I assume that you don’t dispute those statements. You seem to think that there is a contradiction between Scott saying that he rejected their offer, and their letter saying, “We reject your offer.� Frankly, there is no contradiction. Each party made a different offer, and each rejected the other. Of course, Scott will keep coming back with his offer, and the syndicate eventually sent the rejection letter you quoted. No contradiction that I can see.

It’s an important distinction because it feeds into the second faulty assumption. That the syndicates are desperate, losing ground fast and looking hungrily at the success of young turks like Scott to shore up their fast dwindling market-share.

I don’t think that is a necessary assumption for Scott’s case. Maybe the syndicates are desperate and feeling the pinch from web comics; maybe they’re stronger than ever, and trying to buy out any decent they find in an effort to increase their reach. Who cares? In either case, Scott is trying to find an alternative to the conventional wisdom, as he did with his webcomic.

As soon as there’s a sure fire way of making money from cartoons…then you can be sure the syndicates will swoop in.

Now we’re getting into a whole other argument, but let me just say that the barriers to entry for a newspaper comic and a web comic are quite different.

Les called the plan brilliant and then said he had no opinion as to whether it would work or not. Either he thinks it’s a good idea or he doesn’t.

He thinks it’s a brilliant plan. He’s not sure if it will work. Where is the contradiction?

I mentioned my own work because of the assumptions being made as to what I did for a living.

I just don’t see how you can say that Scott’s plan will hurt all cartoonists, and at the same time that it will not hurt you, a cartoonist.

Scott’s not working for no pay. He’s charging for advertising and hats by using his cartooning as a billboard/bullhorn to attract buyers.

Since you obviously don’t understand my point, let me rephrase: Scott can provide a service (in this case, the comic) for free if he wants. That doesn’t preclude him from making money in other ways. If he wants to provide his comic for free to newspapers, then he certainly has that right.

Working for no pay is slavery.

Uh, no. Not unless you’re being forced to work.

No, that’s how Scott has depicted the choices because he wasn’t able to get the syndicate to either take on his strip or agree to forego rights to his ancillary income.

That’s also how Bill Watterson depicted the choices, and he WAS able to get the syndicate to let him retain rights to his own strip.

Who owns Calvin & Hobbes but Bill Waterson?

So the most successful cartoonist of our generation (and some would say, of all time) was able to work out a deal with the syndicates. How does that help 99.999% of the cartoonists working today?

Scott’s offer to Universal was to “edit the strips to conform to family paper editorial standards�. He’s not the bastion for fearless expression in the face of Beetle Bailey. He’s indicated he’ll edit his strip to meet their whims. Garfield’s creator had a similar attitude when he started out.

I don‘t think that Scott has ever claimed that he is a “bastion for fearless expression.� He seems rather like Scott Adams in that regard. But perhaps he, like Scott Adams, feels like he can modify his strips to conform to newspaper standards, yet still keep it entertaining. Again, I don’t see the problem with that. You seem to be ascribing ideals to Scott that he does not hold, then criticizing him when he fails to meet them.

The point of all this is not to keep everyone locked into the syndicates ideal world scenario.

And yet one person comes up with an idea to circumvent the syndicates, and you jump all over him.

Scott’s not being courted by syndicates.

Now you’re just being ignorant. You read the letter yourself: He was being courted by syndicates, stuck to his ideas of what he wanted out of the deal, and was rejected. Do you honestly deny that?

Offering his work for nothing to papers just makes it looks like it’s worth nothing to begin with.

You keep saying this, but that doesn’t make it true. By your logic, his web comic must not have any readers, since people must perceive his free comic as worth nothing.

Scott’s attempt to circumvent the rejection he received is being hailed by frustrated web-cartoonists because they’ve faced similar rejections themselves. So has every cartoonist. Rejection is a integral part of making an income from creative endeavors. How you deal with it is a sign of your ultimate ability to succeed.

Finally, something we agree on! Yes, rejection is an integral part of the comic business. Most comic artists “deal with it� by caving in and giving up the rights to their creation. Some, like Watterson, deal with it by negotiating to retain full rights to their creation. And others deal with it by trying to find an entirely new paradigm. From what I can see, Scott is dealing with it better than most cartoonists do, in that he is at least sticking to his principles.

Mysterious Johnny Australia Posted on 12/16/2004 at 07:38 AM

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You seem to think that there is a contradiction between Scott saying that he rejected their offer…

What offer would that be?

In either case, Scott is trying to find an alternative to the conventional wisdom, as he did with his webcomic.

What’s unconventional about his web comic model? There are gazillions of web cartoons out there. He’s just one of the few to be making money from it.

Whiteanting your peers to try and score their spot aint so new and improved either.

Now we’re getting into a whole other argument, but let me just say that the barriers to entry for a newspaper comic and a web comic are quite different.

You are telling me the two are different? I thought that’s what I was doing, Are you suggesting Universal et al won’t be able to catch up with Scott Kurtz Inc.?

He thinks it’s a brilliant plan. He’s not sure if it will work. Where is the contradiction?

If he has no opinion as to if it will work or not why does he think it’s brilliant? I mean, stop with the semantic tap dance routine for crap sakes.

If he wants to provide his comic for free to newspapers, then he certainly has that right.

Ok. Fabulous point taken. He’s free to give it away free. I agree. It’s whether doing so is a brilliant idea or not. That’s the issue at hand.

That’s also how Bill Watterson depicted the choices, and he WAS able to get the syndicate to let him retain rights to his own strip.

WAS he? Well that’s great because that was also my point.

How does that help 99.999% of the cartoonists working today?

Oh, you’ve taken a survey? Why didn’t you say so earlier. 99.999%, wow, that many? That sure is a lot. I guess that settles it then.

Imagine for a moment, just for laughs, that Waterson wasn’t the only one to have ‘worked out a deal with the syndicates”. What if anyone with a brain would attempt the same thing?

If the syndicate wants it, they’ll negotiate.

But perhaps he, like Scott Adams, feels like he can modify his strips to conform to newspaper standards, yet still keep it entertaining.

Whereas everyone else sets out to make it boring? You guys are the ones who say he’s the answer to Beetle Bailey, not me.

Now you’re just being ignorant.

Smile when you say that buddy.

You read the letter yourself: He was being courted by syndicates, stuck to his ideas of what he wanted out of the deal, and was rejected.

Yes I read the letter. Did you? He was being courted? Please provide quotes.

Scott:

Thanks for your patience. We’ve decided to pass on a PVP distribution
deal.

What am I missing?

By your logic, his web comic must not have any readers, since people must perceive his free comic as worth nothing.

Dagnabbit. Why don’t you just argue with yourself....

..let me just say that the barriers to entry for a newspaper comic and a web comic are quite different.

Good point.

Why not add how web users don’t expect to pay for anything on the web. The access fee is the price of entry.

Yes, rejection is an integral part of the comic business. Most comic artists “deal with it� by caving in and giving up the rights to their creation. Some, like Watterson, deal with it by negotiating to retain full rights to their creation.

What?

Scott is dealing with it better than most cartoonists do, in that he is at least sticking to his principles.

Which are what exactly?

Lazurk United States Posted on 12/16/2004 at 10:46 AM

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Wow, this whole discusion reminds me of one of my favorite internet statments:

Arguing on the internet is like runniong in the Special Olympics.  Win or lose, you are still menatlly retarded.

decrepitoldfool United States Posted on 12/16/2004 at 11:35 AM

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Lazurk, I’ll admit this isn’t the most scintillating discussion I’ve ever seen, but you’re proposing a model that I’m not familiar with.

It’s hard to win any argument while keeping your dignity and credibility intact - is there some special property to arguing “on the internet” that makes people “menatlly retarded?” Please explain.

Nice dig on Special Olympics, BTW.

Andy Bates United States Posted on 12/16/2004 at 01:44 PM

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What offer would that be?

Look, obviously you believe that letter is true, which means that there was some sort of offer for Scott’s comic. One can infer from the letter that if Scott not made certain stipulations, the deal would have gone through. And by the way, to answer your question below, the process of negotiation between Scott and the syndicate can be considered “courting.�

What’s unconventional about his web comic model?

Conventional wisdom says that if you give something away for free, then you can’t make money from it.

You are telling me the two are different? I thought that’s what I was doing, Are you suggesting Universal et al won’t be able to catch up with Scott Kurtz Inc.?

I’m suggesting that it is very difficult for an individual to get a comic strip in a newspaper, which is why the syndicates came about. On the other hand, it is very easy for an individual to publish a web comic, which is why the syndicate model is not necessary. I have no doubt that the syndicates will make money off of web comics; I just don’t think they will be able to obtain a dominant position in the web market, as they have in the newspaper market.

If he has no opinion as to if it will work or not why does he think it’s brilliant? I mean, stop with the semantic tap dance routine for crap sakes.

Honestly, if you don’t understand this point, I don’t know how I can explain it to you. There is a difference between thinking that a plan might work, and thinking that it will work. Les has admitted that he doesn’t know enough about the market to know if it will work or not, but to him, it sounds like a great idea. No contradiction there.

Ok. Fabulous point taken. He’s free to give it away free. I agree. It’s whether doing so is a brilliant idea or not. That’s the issue at hand.

Actually, that’s not the issue at hand. The reason behind this topic in the first place is all of the anger directed at Scott by other comic creators, telling him that he can’t do this for whatever reason. If the other creators had said, “We don’t think this will work, but you’re free to fail on your own,� I doubt that Les would have posted this entry in the first place.

Oh, you’ve taken a survey? Why didn’t you say so earlier. 99.999%, wow, that many? That sure is a lot. I guess that settles it then.

Imagine for a moment, just for laughs, that Waterson wasn’t the only one to have ‘worked out a deal with the syndicates�. What if anyone with a brain would attempt the same thing

If the syndicate wants it, they’ll negotiate.

Okay then, I’ll bite: Please list the other comics that have worked out the same deal that Watterson got, where he owns the rights to his characters, he can stipulate absolutely no merchandising, and he gets to stipulate the format in which his comic is distributed to papers. Please tell me why every other Sunday comic has a little lead-in joke or title panel that can be cut out, depending on the newspaper. And please tell me why a deal that was painfully negotiated by the most successful modern comic creator is at all applicable to the majority of strips out there who don’t have that kind of clout. Your argument is tantamount to saying that any actor can be financially successful, if they just negotiate the $25-million picture deals that Jack Nicholson gets.

Yes I read the letter. Did you? He was being courted? Please provide quotes.

Are you completely unable to draw conclusions based on available evidence? You read one letter, and you can conclude from that letter that there were previous letters. And since the letter discusses a syndication deal, you can extrapolate that the syndicate was working on a deal with him, or “courting� him.

Scott:

Thanks for your patience. We’ve decided to pass on a PVP distribution
deal.

What am I missing?

You’re missing the part where you use your brain and think, “Hm…if they decided to pass on a distribution deal, then at some point, they must have been negotiating for a distribution deal.� If there was no deal in the works, then they would not have sent that letter.

Yes, rejection is an integral part of the comic business. Most comic artists “deal with it� by caving in and giving up the rights to their creation. Some, like Watterson, deal with it by negotiating to retain full rights to their creation.

What?

Fine, I’ll spell it out for you in great detail, so you understand completely:

1. Scott was working on a distribution deal with a syndicate, which fell through because he wanted to retain the rights to his characters.

2. Nearly everyone agrees that the syndication model favors the syndicates, and not the comic creators.

3. Most syndicated cartoonists don’t have the leverage to get a deal where they retain control of their creation, so they give that control up.

4. Some, like Watterson, try to work out an option that lets them retain control of their creation, which I feel shows strength of character.

5. Scott wants to try working around the syndicates to retain control of his creation, which I feel shows strength of character.

Have I spelled out my position clearly enough?

Oh, and:

6. I have no idea whether this plan will work or not, but I think it’s a brilliant idea.

You know, just so you have something to rail against.

Scott is dealing with it better than most cartoonists do, in that he is at least sticking to his principles.

Which are what exactly?

Retaining ownership of his creation. Have you really missed that point completely? That’s kind of the central issue here.

Les United States Posted on 12/16/2004 at 04:48 PM

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Thanks, Andy, for taking the time to spell out my point for MJ. You nailed it right on the head. I suppose I should have taken MJ at his word when he said “unless you spell it out for the uninitiated I have nothing but assumptions to go on” and realized that it was a plea for me to spell things out using small words if I wanted him to understand my point.

You can call me egocentric, and egotist, a hypocrite, a bavarian walnut roaster, I don’t give a turkey’s nugget if you do. I just think it’s a poor substitute for actually saying something about the subject of this thread. If you think it adds weight to your arguments then you keep on doing it.

I have actually said quite a bit about the subject of this thread, but it appears you’re either unwilling or unable to recognize it when you see it. I do feel you’re coming across as very egocentric and I also feel you’ve been a hypocrite. I said as much not because it adds weight to my argument, but in the (apparently futile) hope that pointing it out will get you to stop acting in such a manner.

The truth is you got so pissed off with Rodmck calling you names that you grabbed your Tonka truck and told the assembled play-group that they were all stupid anyway and if they weren’t going to play right then you were going home to mummy.

Com’on, MJ. Surely you’re witty enough to come up with a better slam than that? You’re not even trying here.

Which is why we’re here. I never once personally insulted you. The best you could come up with was to accuse me of ignoring what you insisted the discussion was all about and making snide remarks about people wearing pen protectors.

So you don’t think snide remarks are personally insulting? You seem to take my snide comments as such. Bit of a double standard, wouldn’t you say?

The point is, you are talking about a web based model. Not newspapers. Different things.

So what are you saying here? That because it’s a web based model it’s no surprise he’s making money by giving his work away for free? Is there something magical about web based models that ensures free work will earn you money?

Sorry, but I fail to see why giving your work away for free on the web has any more reason to be successful than giving your work away free in the newspaper. If the strip has enough appeal to reach a wide audience that might be inclined to purchase the products Scott does sell then whether or not Scott’s being paid by the papers that are carrying his work is pretty immaterial to whether or not it’ll be a success. The only real hurdle you’ve pointed out is in convincing editors to give the strip a try, which is obviously something Scott doesn’t have to worry about with his web based model.

On the one hand you seem convinced that editors won’t give the time of day to any strip that isn’t syndicated and thusly charging a fee, but on the other hand you seem to be convinced that simply offering the strip for free is somehow going to convince the editors that all cartoonists should work for free even though you think that said editors would never consider a cartoon that was offered to them for free. This fits in nicely with your earlier claims that Scott’s efforts devalue the work of all cartoonists in the eyes of editors with the exception of your own work which is apparently immune from this effect.

You say, “to an outsider like me, this is a brilliant move.�
Qualifying this by adding that you don’t know if it will work is of little consequence. It just means you don’t have the nuts to stick by what you’ve said. You want to express an opinion but you don’t want anyone to take you to task over it because, “hey, what do you care anyway and you don’t know if it will work�. It doesn’t stop you from taking sides, you’re just doing it from behind mommies apron again.

Andy spelled this out for you pretty well already, but allow me to reiterate it once more. Yes, I did say that to an outsider like me it was a brilliant move and I went on to briefly illustrate why I felt that way. Hell, the strategy has worked pretty well for Microsoft several times in the past, but I made the mistaken assumption that most folks who read that would be intelligent enough to realize that I was admitting right up front that my opinion was based on a limited perspective. To be sure I wasn’t misunderstood I followed it up later with another admission restating that I don’t know a lot about the cartooning industry or syndication saying quite clearly, “Now I don’t claim to know jack shit about syndicated comics, what it takes to become syndicated, or why they’re supposedly the best model anyone can come up with. Nor do I claim to know that Scott’s vision is correct or that he’ll be successful with his undertaking.” If being honest and qualifying my statement means that I “don’t have the nuts” to stick by what I’ve said then I guess I’m nutless as charged, but at least I’ve not tried to portray myself as having more insight into the situation than I really do.

You really need to work on your attempts at insults, though. Hiding behind mommy’s apron? I hope you put more effort into your cartoons than you’re demonstrating here.

You are wrong.  It’s just below the “Buy Stupid Evil Stuffâ€? t-shirt on my screen.

By golly, you got me on that one! I was wrong. You did mention previously in this thread that you were an editorial cartoonist and I forgot all about it. Take a moment to bask in your well-earned moment of smugness. You worked really hard for it and you should savor every second of it considering how few and far between they’ve been for you up until now. Go ahead and indulge yourself! We’ll wait.

If Scott isn’t going to devalue your work then you don’t have much of a leg to stand on seeing as that’s been your central argument to date.

If that’s your view then why the hell are you even expressing a view either way? You aren’t even a cartoonist. I’ve never once said he was going to devalue ‘my’ work. If you are so sure I’m misrepresenting your brilliant arguments then surely it’s moronic to keep doing it yourself.

Is it just me? Or does anyone else fail to see how his reply in any way matches up to what I said?

You’re right, though, I’m not a cartoonist. Or at least not a syndicated professional cartoonist. Obviously that means that I have no hope of ever understanding what it would mean to be a cartoonist unless I actually try to become one myself. Thusly I should be forbidden from offering anything remotely resembling an opinion on the subjects of cartooning, being a cartoonist, or possible alternative ways to success as a cartoonist because it’s completely unlike any other profession I might ever undertake with the possible exception of professional plumber, which you seem to feel is a lot like being a cartoonist in terms of the level of skill and costs involved if not in the actual end results. (That still cracks me up.)

Clearly this must mean that you never offer up your opinions on anything other than those topics which you have firsthand knowledge and experience in because you can’t possibly feel you’d understand those topics or be qualified to speak about them. We should apply this simple and brainless logic to every issue! No kids? Can’t say a damned thing about raising kids then. Never owned a dog? Then keep any ill-formed opinions about them to yourself. Never set yourself on fire? Then you can’t possibly be qualified to offer an opinion on how intelligent doing so might be. Hey, if you’ve never struck yourself repeatedly in the head with a ball-peen hammer then why should I be expected to believe you have anything intelligent to say about that activity? Go off and do that for a few weeks then come back and tell us your opinions on it.

Again, I never said this.
Working for exposure is a phenomenon encountered by beginner cartoonists. People offer you work with little or no pay saying, “It’ll appear in BeardSporters Monthly! Think of all the great exposure you’ll get!�. What you get is a warm feeling inside but that doesn’t pay the rent.

Except no one came to Scott and suggested any such thing so I guess your example doesn’t really apply to this discussion. At least, based on the logic you’re using in dismissing my next point.

Again, we are talking about cartoons in newspapers. Not your job doing what you do. The two things a quite different.

Right. There are absolutely no parallels to be made between being a cartoonist and being an IT professional. I mean, it’s not like IT pros “have expenses, require training, build up expertise and need to eat” like cartoonists and plumbers do. I’m sure buying your supplies far outstrips the costs involved in building a PC from base components and any moron with a third grade education knows how to solve even the most complex computer problems so it can’t take too much training. Eat? We IT pros gave THAT up a long time ago!

Here’s a question: Have you ever been a professional plumber?

Here’s another question: Can you guess what my follow-up question is going to be if you’re dumb enough to answer in the negative?

What’s unconventional about his web comic model? There are gazillions of web cartoons out there. He’s just one of the few to be making money from it.

Odd, that sounds a lot like the syndicated cartoon industry if the complaints proffered so far are to be believed.

The argument that he should be left alone to offer his work for free to newspapers is premised on a few faulty assumptions. One is that Scott was approached by Universal and after considering their offer, rejected it because they wanted rights to his ancillary income. This is certainly the impression that he chose to impart. The truth is quite the opposite, as indicated by the letter posted above.

I beg to differ. The letter posted above indicates there were two primary reasons for the decision not to carry PVP. The first was concerns with regards to the sex and language in the content which you seized on and presented as the sole reason they rejected it only to turn around later and basically make it a non-issue by pointing out that Scott himself offered to edit the strips to conform to family paper editorial standards. Of the two issues, this “problem” was worthy of only a single sentence explanation.

The second issue, the one you decided to ignore and then contradict in claims like the one above, had everything to do with UPS’s insistence on “ancillary rights”—the words are even used in the letter you posted—and the explanation provided makes it quite clear this was a bigger problem than the content was. But perhaps you missed that part so allow me to re-quote it for you here:

    ...we don’t “just distribute� comics. UPS devotes massive amounts of time and money in selling/marketing/promoting our strips, so a property w/o ancillary rights makes no business sense to UPS.

Perhaps it’s because I’m not a cartoonist, but that sounds to me like the issue of ancillary rights wasn’t up for negotiation. Indeed, it may well be an indication of how much interest UPS had in acquiring PVP that they weren’t willing to negotiate on the ancillary rights, but that doesn’t mean that Scott’s statement that his refusal to give up those rights was why the deal fell through is false. We also haven’t seen any of the emails that we know were sent previously so any determination on who approached whom is conjecture on both our parts. UPS may very well have approached Scott with an inquiry, Scott may have responded with samples and a firm statement that he wanted a distribution only agreement, UPS then replies with the above letter. In fact, in his article on his website about it Scott never claims to have rejected the offer. Instead what he did say was: “After six weeks the syndicates returned with their answer: They wanted PvP...all of it. If they could not have the rights to the feature, they weren’t interested. So we parted ways.”

It’s an important distinction because it feeds into the second faulty assumption. That the syndicates are desperate, losing ground fast and looking hungrily at the success of young turks like Scott to shore up their fast dwindling market-share.

Hmmm. I’m not sure what you’ve been reading, but I don’t think anyone around here has been holding that assumption. Not even Scott suggested such a thing. He does mention the ultimatum from Knight Ridder that the syndicates drop their rates by 20% or face being dropped altogether from their papers, but he makes no claims that UPS is looking to people like him to shore up market-share so I have no idea where you’re coming from with that statement.

The syndicates are big business. A business which makes money from cartoons. As soon as there’s a sure fire way of making money from cartoons (aside from the on-line advertising model - which works to an extent) like a micro-payment which the average web user is happy to make then you can be sure the syndicates will swoop in. Scott may even find himself the one selling the buggy whips.

Maybe. Assuming the newspaper owners don’t go through with their threats of dropping comics from their pages completely.

If he has no opinion as to if it will work or not why does he think it’s brilliant? I mean, stop with the semantic tap dance routine for crap sakes.

Why do I think it’s brilliant? Two words: Scenario Analysis. A topic you would seem to have no background in.

In short, it’s a simple plan and it involves little risk to either Scott or the newspaper editors. Scott has already done the work as he’s offering them strips he’s previously published on his site bundled in one year sets that will be downloadable through a service he’s setting up on his website. Editors can grab a year at a time and check the whole series out at once. If they should find a particular strip objectionable they can skip it without feeling like they’re wasting money and without having to fill the space with something else because they’ve already got the next strip in the series. Once Scott has set up the necessary scripts on his site to handle distribution, packages the strips in Zip files, and made any minor edits to strips he thinks might be problematic, he really doesn’t have to invest a lot of time into the project.

If it works then it could make him that much more profitable and if it doesn’t then he’s only out some time and effort. That’s a brilliant plan. Yet that doesn’t change the fact that there have been a lot of brilliant plans over the years that failed miserably for all sorts of reasons. Simply being brilliant does not guarantee it’ll be a success.

Imagine a factory. It makes wheelbarrows. One day the wheel makers are told that their pay is to be halved. The barrel makers pay is not. However the whole workforce goes on strike. It’s called solidarity.

Having grown up in Detroit and being an employee of one of The Big Three I’d just like to point out that the above is a very idealized scenario that actually is a rare occurrence in real life. It’s also flawed in comparison to the situation we’re discussing.

You see in your example the wheel makers and the barrel makers work for the same company and thusly have mutual interests.

The situation we’re discussing is more along the lines of someone who has his own small wheelbarrow business offering to give those wheelbarrows away to companies that normally only buy from the Big Wheelbarrow Corporation who ends up being screamed at by all the employees of BWC because he might make the companies he gives his stuff away to think that all wheelbarrows should be free. Not that they believe for a minute that anyone will want his free wheelbarrows because merely being a part of BWC insures that the quality of the wheelbarrows is beyond question whereas who knows how badly a free wheelbarrow might suck. But he still shouldn’t do it because he’s doomed to fail and he’s undermining the value of the work done by the employees of BWC with the possible exception of those employees who produce Editorial Wheelbarrows.

Yeah, that’s a bit closer to what we’re discussing.

Scott’s not working for no pay. He’s charging for advertising and hats by using his cartooning as a billboard/bullhorn to attract buyers. Working for no pay is slavery.

No, being forced to work against your will is slavery.

I’ve run out of time for the moment so I’m going to stop here. You’ll probably just bitch about the length again anyway. Which is ironic considering that you’ll probably ignore most of the points raised regardless of how long it is.

 Signature 

All I know is the wine lasts longer when you don’t gotta share it with someone
All I know is my steak tastes better when I take my steak tastes better pill
-- I Feel Fantastic, Jonathan Coulton

Andy Bates United States Posted on 12/16/2004 at 05:33 PM

Andy Bates pic

Hey, if you’ve never struck yourself repeatedly in the head with a ball-peen hammer then why should I be expected to believe you have anything intelligent to say about that activity? Go off and do that for a few weeks then come back and tell us your opinions on it.

I would imagine that, after being hit in the head repeatedly with a ball-peen hammer, you might actually think that it’s a good idea.

Wait a minute…maybe that explains why so many syndicated cartoonists are so supportive of the system of syndication, which treats their creative output as a commodity which is bought and owned by the corporation. I think you may have come up with the perfect analogy.

Mysterious Johnny Australia Posted on 12/17/2004 at 02:40 AM

Mysterious Johnny pic

Les, you are the consummate building and burner of straw-men.

Time after mind numbing time you build a case against a point in isolation or construct an entire argument against a foe which exists only in you own fevered mind.

I’m struck by a slightly distubing image of you dancing around the flaming effigy wearing your Santa hat, whooping with glee at your supposed victory.

Sigh.

Let’s begin the beguine.

I have actually said quite a bit about the subject of this thread

I should hope so. I said doing otherwise in the form of trading insults was a poor subsitute for keeping it relevant. I never said you haven’t reeled off reams on the topic at hand.
Strawman #1.

I do feel you’re coming across as very egocentric and I also feel you’ve been a hypocrite. I said as much not because it adds weight to my argument, but in the (apparently futile) hope that pointing it out will get you to stop acting in such a manner.

Which is kind of absurd in light of the fact that you are saying it on a board dedicated to your daily thoughts on subjects of your own choosing under ever watchful gaze of your own photo festooned in a Santa hat. Do you imagine yourself to be a humble man?

So you don’t think snide remarks are personally insulting? You seem to take my snide comments as such. Bit of a double standard, wouldn’t you say?

Strawman #2.
My remark was snide but I never personally insulted you. I made a joke (this you know full well) about IT professionals wearing plaid shirts and pen protectors precisely because they were outdated stereotypes. I did so to illustrate the fact that you were commenting on an industry with which you had no professioanal experience. Just like a cartoonist talking about the IT industry. I’ve actually had a fair amount of experience working in IT support.

Sorry, but I fail to see why giving your work away for free on the web has any more reason to be successful than giving your work away free in the newspaper.

If you don’t then you understand things even less that I imagined. Giving services away for free is the basis for most of the internet’s ability to generate income and share market value. Free services drive customers to sites which in-turn generate advertising revenue.
It’s costs me nothing to click a link to PVP and view the cartoons. The cost of providing me that service is offset by the sales of PVP themed products and advertsing sold by Scott himself. Advertisers care less about the content of the site than they do the numbers of potential customers they’ll likely display their ads to. Scott can do whatever he likes providing it brings people to his site. This online debate is one example.

Newspapers have daily deadlines, legal obligations, stringent content restrictions and editorial standards. An editor simply does not have the time to do any of the following:

“..grab a year at a time and check the whole series out at once. If they should find a particular strip objectionable they can skip it without feeling like they’re wasting money and without having to fill the space with something else because they’ve already got the next strip in the series.”

This is why they use syndicates.
This is why the product being free makes little difference. A paper is not going be spending a few dollars a day on a single strip in any case.

If being honest and qualifying my statement means that I “don’t have the nuts� to stick by what I’ve said then I guess I’m nutless as charged

I just think that if you’re going to call the plan brilliant, and defend it vehemently, saying that you don’t know if it will work is kind of pointless. Nobody knows for sure if anything will happen. Either you think it’s a good idea or you don’t. I don’t know that Scott won’t be elected President and become richer that Warren Buffet on the back of his plan, but I doubt it.

By golly, you got me on that one! I was wrong. You did mention previously in this thread that you were an editorial cartoonist and I forgot all about it. Take a moment to bask in your well-earned moment of smugness. You worked really hard for it and you should savor every second of it considering how few and far between they’ve been for you up until now. Go ahead and indulge yourself! We’ll wait.

This has got to be one of the most pathetic examples of an admission of fault I’ve ever seen. I simply pointed out that you were mistaken, I didn’t gloat in the least. In an internet discussion points are easily lost and hence it’s an easy mistake to make.
It’s Strawman #3.

Clearly this must mean that you never offer up your opinions on anything other than those topics which you have firsthand knowledge and experience in because you can’t possibly feel you’d understand those topics or be qualified to speak about them. We should apply this simple and brainless logic to every issue!

Strawman #4
You got very excited about this one. So much so that it ended up with you suggesting I beat myself on the head with a hammer.
The problem for you is that this isn’t what I said. In fact I’ve said the opposite.

Here’s what I said in a previous post:


I mentioned my own work because of the assumptions being made as to what I did for a living. It’s normally a mistake and it was in this circumstance. Personal details get in the way of reasoned debate. Does your argument rest on what you do for a living?

“Does you argument rest on what you do for a living?”

Eleven words, and I’m making the same point you used against Strawman #4, although in your case it took two paragraphs, a plumber, some kids, a dog, some self-immoleation and finally some blows to the head with a ball-peen hammer.

What brought all this on? You suggested my entire argument was premised on my own work being devalued as though this was somehow a requirement for my being allowed to argue my case. I said I’d never said this and if that was your view, then why did you feel you were qualified to express a view at all, seeing as you were not even a cartoonist?

All clear now? Put away the hammer.

I’m sure buying your supplies far outstrips the costs involved in building a PC from base components and any moron with a third grade education knows how to solve even the most complex computer problems so it can’t take too much training. Eat? We IT pros gave THAT up a long time ago!

Never said anything about my supplies or your base components. Strawman #5.

Here’s another question: Can you guess what my follow-up question is going to be if you’re dumb enough to answer in the negative?

Another strawman?

That’s all I’ve got time for now.

Still only half-way through.

Mysterious Johnny Australia Posted on 12/17/2004 at 07:24 AM

Mysterious Johnny pic

Edit: This is why the product being free makes little difference. A paper is not going be spending MORE THAN a few dollars a day on a single strip in any case.

Mysterious Johnny Australia Posted on 12/18/2004 at 11:06 PM

Mysterious Johnny pic

...continued.

Odd, that sounds a lot like the syndicated cartoon industry if the complaints proffered so far are to be believed.

Perhaps but the difference is that every syndicated cartoon appearing in a newspaper has been veted by someone and generates income for it’s creator through direct income.

The gazillions of webcartoons are by and large a labour purely of love.

Scott himself offered to edit the strips to conform to family paper editorial standards. Of the two issues, this “problem� was worthy of only a single sentence explanation.

Consider that for a moment. He’s offered to edit the cartoon for the purposes of free supply to papers and the the syndicate still rejected it on the basis of content. It’s a polite brush off.

Scott may have responded with samples and a firm statement that he wanted a distribution only agreement, UPS then replies with the above letter.

If this was Universal’s reasoning, why mention the content issue?

Scott obviously thought he could get the syndicate to act as his distribution agent, but in exchange for what? The fees generated by selling it to papers? Scott implied and many on here have stated emphatically that cartoonists face a complete loss of copyright ownership or lose the chance to be published at all. He’s pushed this barrow because he wants to make a nonsense of the fact that in truth, Universal didn’t want PVP enough to continue the negotiation behold the first stage.

His reponse was to call the syndicates dinosaurs and announce his plan to simply step around them and offer his work direct to the papers, because clearly the only reason he was rejected was to do with money, not PVP’s inability to appeal to a broader audience than self-proclaimed nerds.

Yous said:
I’m not sure what you’ve been reading, but I don’t think anyone around here has been holding that assumption. Not even Scott suggested such a thing.

I’ve been reading this..

Scott said: I
The newspapers are wising up and they’re unwilling to pay. The Syndicates have nothing to offer them save a large bill. I’ve talked to a couple of syndicated cartoonists and even they see the writing’s on the wall. One cartoonist, who I won’t name, said to me “If any one newspaper would get the balls to just 86 their comics page, and suffer through the months of letters they would receive, we’d be done for. Once the papers realize they can survive dropping the comics page, everyone will do it.”

Furthermore Decrepitoldfool said this: (please note at this point I’m posting this to defend syndication but to illustrated ‘what I have been reading’)…

Your focus on traditional syndication seems to blind you to the obstacles it places in the way of getting new material in front of consumers.

And if that isn’t enough to keep you busy; the music industry will soon face a “post music-store� market, and OPEC will have to deal with a “post-oil� economy someday.  Are cartoonists discussing the “post-paper� information economy?

Your scenario analysis link provided this quote:

For example, in economics and finance, a financial institution might attempt to forecast several possible scenarios for the economy (e.g. rapid growth, moderate growth, slow growth)

You then provide one such scenario. Clearly if you apply the principles of scenario analysis there are going to be others. It’s also meant be done dispassionately so as to arrive at the accurate possible predicted results.

Your scenario mentions how “Editors can grab a year at a time and check the whole series out at once.” I’ve already pointed out how editors don’t have time for this, it’s why they rely on syndicates.

Your scenario regards editors as simple comic customers with time to choose and concerned about spening a few dollars on a particular strip. From my own and others experience I can tell you editors don’t have much time for cartoons. They are generally left-brain thinkers and see comics as a necessary intrusion into the business of news production.

Yet that doesn’t change the fact that there have been a lot of brilliant plans over the years that failed miserably for all sorts of reasons. Simply being brilliant does not guarantee it’ll be a success.

Nothing guarantees success. Nothing.
Surely brilliance is a good starting point. If I was in the armed forces and outranked you and asked you if you thought a particular strategy was, in you view, a good idea, and you replied, “Sir, I think the plan is brilliant but I have no opinion as to whether it will succeed or not!”, I think I’d ask someone else.

If a plan fails then it wasn’t all that brilliant then was it?

Having grown up in Detroit.....etc etc.....Yeah, that’s a bit closer to what we’re discussing.

I agree it’s a much better description of wheel barrow cum cartoon factory than mine. I was just making a point about solidarity.

No, being forced to work against your will is slavery.

You are right. But so was Andy Bates when he corrected me earlier.

you’ll probably ignore most of the points raised regardless of how long it is.

It’s not size that counts.

I think mine is longer though.

decrepitoldfool United States Posted on 12/19/2004 at 06:31 AM

decrepitoldfool pic

MJ, I can’t speak about “editors” generally but you sure described the editor of our local paper.  I can’t recall the last time he was against a law, a rule, or an ordinance no matter how pointless.  hmmm It goes a long way toward explaining why our comics page is so lame.

By “post-paper-information-economy” I actually meant after newspapers themselves go away - which they will, IMHO.  That will happen quickly when two conditions arrive:
1) Cheap, durable newsreaders with nonvolatile, paper-resolution, reflective (not backlit) screens show up in bubble-packs in the office-supply aisle of your grocery store for $19.95, and
2) Local radio stations start delivering digital content to be picked up by said readers. 

I bet our right-brained local paper editor would say “That will never happen!” LOL  I think it will happen in twenty years, maybe ten.  The practice of printing each day’s news on dead trees and delivering to to everyone’s house before sunrise each day has had a good long run, but…

How that will affect comics syndication, I can’t even guess.  Maybe there will be changes in FCC rules allowing newspapers to buy radio stations, and the content will be produced in the same way it is now except for the printing stage, and comics syndication will continue as before.  But that would require a pretty right-brained publisher to force the editors to think beyond the printing press.

Mysterious Johnny Australia Posted on 01/08/2005 at 02:08 AM

Mysterious Johnny pic

He he, I win.

Happy New Year baldy.

Curious New PvP Fan United States Posted on 03/23/2005 at 04:04 PM

Curious New PvP Fan pic

I have just stumbled on to this cool comic book.  And have only been able to find issues 2,3,5,6, and 8 can someone please tell me where to find the others?  I would like to have the rest if at all possible, please let me know. Thanks

MJ, Editorial Cartoonist United States Posted on 01/30/2007 at 08:40 PM

MJ, Editorial Cartoonist pic

I personally applaud Scott for his efforts. I feel artists deserve to keep, and own the rights to their created works. That’s it bottomline!

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